![]() ![]() Ross, Howard Sacks and Vesna Todorović Sacks, Katie and Tony Schaeffer, Karen Goodman Tarte, Robbi and Bruce Toll, and two anonymous donors. Heyman, Linda and George Kelly, Sueyun and Gene Locks, Richard and Nancy Lubin, Susan and James Meyer, Leslie Miller and Richard Worley, Mitchell and Hilarie Morgan Family Foundation, Lyn M. With a body of work spanning seventy years, and a roster of iconic images that. But Jennifer Packer’s two exhibitions, both of which I’ve seen Every Shut Eye Ain’t Sleep at MOCA Los Angeles and The. In September of 2005, I started working at the Philadelphia Museum as Curator of Contemporary Art, where there is a room devoted to Johns sculptures and. 1988 Jasper Johns: Work Since 1974, Philadelphia Museum of Art, 1988-1989, unnumbered catalogue, pl. Jennifer Packer, unlike Jasper Johns, is too young as yet for a 2-museum retrospective like the joint effort produced for the 91-year old artist at the Philadelphia Museum of Art and The Whitney Museum of American Art. ![]() Caplan, the Robert Lehman Foundation, Marsha and Jeffrey Perelman, and an anonymous donor.Īdditional support is provided by Irma and Norman Braman, Clarissa Alcock Bronfman and Edgar Bronfman Jr., Isabel and Agustín Coppel, Roberta and Carl Dranoff, Jaimie and David Field, Kathy and Richard Fuld, Mrs. Few artists have shaped the contemporary artistic landscape like Jasper Johns. Exhibition History 1984 Jasper Johns Paintings, Leo Castelli Gallery (Greene Street), New York, 1984, no cat. In an unprecedented collaboration, the Whitney and the Philadelphia Museum of Art will stage a simultaneous retrospectivethe largest of Johns’s seven-decade careerthat offers a fresh take on the living legend. ![]() Significant support is provided by Constance R. The radical, inventive art of Jasper Johns continues to influence today’s artists like few others. Forman, The Sachs Charitable Foundation, Helen and Charles Schwab, and the Women’s Committee of the Philadelphia Museum of Art-including special gifts from the estates of Patricia Sweet Clutz and Phyllys “Fifi” Fleming. Major support is provided by the museum’s Contemporary Art Committee, The Davenport Family Foundation, Ellsworth Kelly Foundation and Jack Shear, Agnes Gund, Leonard and Judy Lauder, Ms. The organizing curators are Carlos Basualdo, Keith L. The Philadelphia Museum of Art has partnered with the Whitney Museum of American Art in New York City on Jasper Johns: Mind/Mirror, simultaneous exhibitions of the famed American artist’s. Dietrich II Fund for Excellence in Contemporary Art, the Annenberg Foundation Fund for Major Exhibitions, the Jill and Sheldon Bonovitz Fund for Exhibitions, the Robert Montgomery Scott Endowment for Exhibitions, and the Kathleen C. This exhibition is organized by the Whitney Museum of American Art and the Philadelphia Museum of Art. Interested in experiencing an unprecedented exhibition from one of the country’s most significant living artists at an iconic Philly museum Thought so. Krauss, Alex Kitnick, and Darby English weigh in on individual aspects of the artist’s endlessly generative, quintessentially American oeuvre.Generous support is provided by Constance Hess Williams and Sankey Williams and Matthew Marks, and through the museum’s endowment with the Daniel W. ![]() Featuring his most iconic works along with many others shown for. This season brings what is likely the biggest such show to be seen here, the mammoth Jasper Johns 500-work retrospective, which will be shared by the Philadelphia Museum of Art and the Whitney Museum of American Art in New York. To mark the occasion and take stock of the show’s structure, curator Harry Cooper offers his read of the sprawling and bifurcated exhibition, while art historians Rosalind E. Jasper Johns: Mind/Mirror is the most comprehensive retrospective ever devoted to Johnss art. The show-which remains on view through February 13-runs simultaneously at the two host institutions, each presentation a mirror image of the other. Organized by Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum, and Scott Rothkopf, senior deputy director and chief curator at the Whitney, the exhibition is unprecedented in its format. THIS PAST FALL, the Whitney Museum of American Art in New York and the Philadelphia Museum of Art debuted “Jasper Johns: Mind/Mirror,” the first major retrospective dedicated to the artist in a quarter century. The 91-year-old Johns’s creatively disruptive art receives its most comprehensive consideration to date in Jasper Johns: Mind/Mirror, simultaneous companion retrospectives at the Philadelphia Museum of Art and the Whitney Museum of American Art in New York. Ben Davis, SeptemInstallation view of Jasper Johns, Jubilee (1959) and Highway (1959) in 'Jasper Johns: Mind/Mirror' at the Philadelphia Museum of Art. © Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), New York. Tickets Now Available For Jasper Johns: Mind/Mirror - Unprecedented Double Retrospective Debuts At The Whitney Museum And Philadelphia Museum Of Art On. Jasper Johns, Ventriloquist, 1986, lithograph, 42 × 29 1⁄2". ![]()
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